Reaffirming Literature
After last year’s Cape Town Book Fair, author of Six fangs and a tetanus Shot, Richard de Nooy wrote a review of my last book, The Madams, and in it he mentioned how ‘unrealistic’ the book is (forget the irony of the need to write realism in fiction for a moment). Now I can take criticism as well as the next person but I quickly rushed to look for Richard’s email and got in touch with him. I explained to Richard that though I may not be the best wordsmith and he could be allowed to criticize the prose, the reality was, the popularity of the book was largely because a lot of women residing in South Africa could relate to it – in some way we are all affected by HIV/AIDS; we have been/or know someone in a physically abusive relationship; we know women who have been cheated on by their partners and yet returned to them; we are all stuck in our apartheid-era racial labellings etc etc During our discourse, Richard suggested that I post my explanation on a website but I refused to do this preferring rather to explain to him, one writer to another and not wanting to seem like a writer incapable of taking criticism. Yesterday I started rethinking my position, not so much because of similar criticism received from expats in
In the book, there is a part where the male protagonist is sitting in his study drinking cognac. He starts thinking about his late friend and his wife’s cousin and in memory pours the cognac on the ground as he muses, ‘I shouldn’t have done that,’ before shrugging his shoulders and remembering that he has two maids and a wife to supervise them.
Clear enough, I thought.
But then Nicola had a suggestion. ‘Zooks, I think this would sound better if we say accidentally spilt cognac on the expensive rug because when you say pours you make it sound like it’s deliberate.’
Now those who know Nicola will tell you that she is one of the coolest people ever – of whatever race. She genuinely tries to cross the boundaries and understand what is happening on the other side. That Nicola, who truly has black friends – excuse the cliché – did not know of this cultural habit where black people will pour alcohol on the ground in memory of the deceased, came as a surprise to me. And then I started thinking of Richard. If Nicola, who stays in South Africa (assuming that y’all still insist that Cape Town is part of South Africa) did not know this information that I thought obvious, it would explain how Richard can think that some of my realities are surreal – likewise me and the tens of other South African cultures and sub-cultures that I do not belong to.
Thus the importance of literature. It makes us travel worlds we may never have traveled, cross borders we did not know existed, and emphathise with those we may never have thought of.
Now more than ever, I do not regret being a writer as I know that in my own little way, I am being a cultural ambassador of my contemporary South African world (though I never set out to be). So, dear reader, cross the border and get Behind Every Successful Man at a good bookstore near you after June 1 (come on. You knew that was coming!)
And Nicola, I am taking you to a funeral next time you are in Joburg!